Variety seems to be suggesting that UK writers are being considered to fill the gaps caused by the WGA writers' strike.
One British agent has been quoted as saying "Maybe English writers haven't quite got hold of how important this is in Los Angeles. I don't know if anyone here has quite woken up to what it all means."
Really? Because I've got two projects that have been put on hold (Hero Trip is one of them) because of the strike despite me not being a member of the WGA (or indeed any union), and I'm more than happy for this to be the case, as indeed are all the writers I know.
Mostly out of solidarity to our colonial cousins, one of whom is picketing Fox as I write (hi Adam), and because the whole internet thing does need sorting out, but also because one day, when it's all blown over, we'd quite like to, you know, set foot in LA without being murderised and dumped in the Tar Pits. It's one of those rare occasions as a writer where principle and self-interest meet. And then smoosh their faces together and do saucy things with their tongues.
And if Joss Whedon did the murderizin', I would of course consider it a great and marvellous honour.
UPDATE: "It could be an extraordinary opportunity for British writers to get a shot at big studio projects that they otherwise would never get a shot at," confided one U.K.-based studio exec."
Who the fuck talks like that? Sorry, who 'confides' like that? I tried to comment on the article, to make it clear I don't know a single writer who'd even consider writing for the US while the strike is on, but it's not letting me. Even Variety's web technology IS IN THE PAY OF THE EVIL PRODUCER OVERLORDS it would appear. Unlike me for a while.