One good reason...

(includes very mild CAMPUS spoilers)


...to get as many spec scripts under your belt as possible is that when you've started to get your name known a bit, at least by the twelve people who might give you work, those producers who have a show in development and are looking for new writers are going to start asking for sample scripts. And they're going to want to see something at least vaguely in the same format.

So unless you want to write exactly the same thing over and over again (and some writers do), it's handy to have a sample scripts, from your own original ideas, that cover at least the basic formats. Of course, sometimes you have to interpret what they want a little, like what I done today.

PRODUCER: Hi, I'm looking for new writers for a new kids' show, which is sort of a half hour comedy thing, with puppets. Do you have a sample script I could take a look at?

I have a quick flick through my recent scripts. The latest is the thing I'm doing for BBC4 is this 18th century adaptation, filled with whores*, booze and slapstick (mainly comprised of the protagonist falling over whilst in the middle of booze). It is wildly unsuitable. But it is also, I reckon, quite funny. And half an hour long.

ME: YES SIR I DO!

So we'll see how that goes.



* In other whorish news, I was pleased to discover that a scene I wrote for the Campus pilot which involves a discussion of 18th century terms for prostitutes, but was cut out for length, has made it back into the revised episode one. Huzzah! So a big week for Georgian whores, which is nice.